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CREDITS

Feature Films

Sonic The Hedgehog 3 (2024) - Additional Music

The Reflected Self (2024) - Music Composer

Furiosa: A Mad Max Saga (2024) - Technical Score Engineer

Rebel Moon: The Scargiver (2023) - Additional Music

Rebel Moon: A Child Of Fire (2023) - Additional Music

Times & Measures (2022) Music Composer

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Documentary

The Day Roland Met Renee (2020) - Music Composer

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Short Films

The Devil Comes Calling (2022) - Music Composer

Darkridge (2022) - Music Composer

Coupe De Pion (2021) Music Composer

Recall (2021) - Music Composer

The Inquisitive (2021) - Music Composer

Bruised Reflections (2019) - Music Composer

Pink Castle Doctrine (2019) - Music Composer
 

Video Games

Prisoner 518 (2019) - Music Composer

#CarpeDiem (2020) - Music Composer

The Savoury Inspector  (2021) - Music Composer

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Trailers and Commercials

Times & Measures (Trailer 2022) - Music Composer

The Sigil (2019) - Music Composer

Omeron (2019) - Music Composer

Prime Suspects (2019) - Music Composer

Entheos Media Group (2019) - Music Composer

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MAKING THE MUSIC

Making the Music

Notebook and Pen

THE CONCEPT

Everything starts with a conversation. Whether your story is told with a movie, a video game or any other media, its core concept is what defines the rules of your world, its aesthetics and its voice (sonic signature).

THE SPOTTING SESSION

Once the concept has been defined, it's time to go scene by scene or level by level, and decide where the music starts, stop, what it should tell, how, and most importantly, why. this is where the diretor meets with the composer and all of these decisions are made together and a cue sheet is created (a document with all the information gathered through the spotting session). It's not necessary that the music is well defined in your head, and this is where a conversation can spark those ideas and shape the overall sonic aesthetics for your project.

Taking Notes
Song Notes

COMPOSING

After the spotting session, it's time to actually write all that music! The composer retires in their studio and, cue by cue, creates and produces the music. When the music is completed and approved after the necessary process of feedback and review, live musicians are recorded (if the budget allows for it) to bring life into the score.
The music is then mixed and delivered to be ultimately dubbed into the project (blended in with dialogues and sound effects).

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©2025 by Luca Fagagnini

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