CREDITS
Feature Films
Sonic The Hedgehog 3 (2024) - Additional Music
The Reflected Self (2024) - Music Composer
Furiosa: A Mad Max Saga (2024) - Technical Score Engineer
Rebel Moon: The Scargiver (2023) - Additional Music
Rebel Moon: A Child Of Fire (2023) - Additional Music
Times & Measures (2022) - Music Composer
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Documentary
The Day Roland Met Renee (2020) - Music Composer
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Short Films
The Devil Comes Calling (2022) - Music Composer
Darkridge (2022) - Music Composer
Coupe De Pion (2021) - Music Composer
Recall (2021) - Music Composer
The Inquisitive (2021) - Music Composer
Bruised Reflections (2019) - Music Composer
Pink Castle Doctrine (2019) - Music Composer
Video Games
Prisoner 518 (2019) - Music Composer
#CarpeDiem (2020) - Music Composer
The Savoury Inspector (2021) - Music Composer
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Trailers and Commercials
Times & Measures (Trailer 2022) - Music Composer
The Sigil (2019) - Music Composer
Omeron (2019) - Music Composer
Prime Suspects (2019) - Music Composer
Entheos Media Group (2019) - Music Composer
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MAKING THE MUSIC
Making the Music
THE CONCEPT
Everything starts with a conversation. Whether your story is told with a movie, a video game or any other media, its core concept is what defines the rules of your world, its aesthetics and its voice (sonic signature).
THE SPOTTING SESSION
Once the concept has been defined, it's time to go scene by scene or level by level, and decide where the music starts, stop, what it should tell, how, and most importantly, why. this is where the diretor meets with the composer and all of these decisions are made together and a cue sheet is created (a document with all the information gathered through the spotting session). It's not necessary that the music is well defined in your head, and this is where a conversation can spark those ideas and shape the overall sonic aesthetics for your project.
COMPOSING
After the spotting session, it's time to actually write all that music! The composer retires in their studio and, cue by cue, creates and produces the music. When the music is completed and approved after the necessary process of feedback and review, live musicians are recorded (if the budget allows for it) to bring life into the score.
The music is then mixed and delivered to be ultimately dubbed into the project (blended in with dialogues and sound effects).